Music as Social Life: The Politics of Participation
University of Chicago Press, 2008年10月15日 - 258页
People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences.
Turino begins by developing tools to think about the special properties of music and dance that make them fundamental resources for connecting with our own lives, our communities, and the environment. These concepts are then put into practice as he analyzes various musical examples among indigenous Peruvians, rural and urban Zimbabweans, and American old-time musicians and dancers. To examine the divergent ways that music can fuel social and political movements, Turino looks at its use by the Nazi Party and by the American civil rights movement. Wide-ranging, accessible to anyone with an interest in music’s role in society, and accompanied by a compact disc, Music as Social Life is an illuminating initiation into the power of music.
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Why Music Matters
2 Participatory and Presentational Performance
High Fidelity and Studio Audio Art
4 Habits of the Self Identity and Culture
5 Participatory Presentational and High Fidelity Music in Zimbabwe
Cultural Cohorts and Cultural Formations
7 Music and Political Movements
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