The Piano in America, 1890-1940University of North Carolina Press, 1989 - 396 頁 Roell uses company records and the popular press to chronicle the piano industry through changing values, business strategies, economic conditions, and technology. For Roell, as for the industry, music is a byproduct. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
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第 1 到 3 筆結果,共 11 筆
第 15 頁
... noted that the ability to play simple things well on the piano was rare , and even “ with all her piano lessons she will stumble over the simplest march if any one is listening to her .... Nevertheless , she would everywhere at once be ...
... noted that the ability to play simple things well on the piano was rare , and even “ with all her piano lessons she will stumble over the simplest march if any one is listening to her .... Nevertheless , she would everywhere at once be ...
第 64 頁
Craig H. Roell. the 1909 Act . Smoot noted that the object of the new copyright law was to protect the composer's composition , but not to grant the composer exclusive right or a particular company a monopoly . A composer now could ...
Craig H. Roell. the 1909 Act . Smoot noted that the object of the new copyright law was to protect the composer's composition , but not to grant the composer exclusive right or a particular company a monopoly . A composer now could ...
第 145 頁
... noted that artists " began to sit up and take notice of the Kimball piano , " much to the chagrin of some eastern manufacturers . ( The Musi- cal Courier , based in New York , even doubted the validity of " the so - called Patti letter ...
... noted that artists " began to sit up and take notice of the Kimball piano , " much to the chagrin of some eastern manufacturers . ( The Musi- cal Courier , based in New York , even doubted the validity of " the so - called Patti letter ...
內容
Chapter Two The Origins of a Musical | 29 |
Chapter Three Halcyon Years of | 67 |
Hallet Davis Virtuolo player piano | 113 |
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Advancement of Music advertising Aeolian Company Alfred Dolge American piano industry artists Baldwin Archives Baldwin Keynote Baldwin Piano became bill brand name campaign capital Chicago Cincinnati Committee concert consumer culture Copyright corporation cult of domesticity D. H. Baldwin dealers developed ethic Etude factory Federal Music Project firm grand Gulbransen Hallet & Davis History House Literary Digest Lucien Wulsin Magazine manufac Mason & Hamlin ment modern MTNA Proceedings music education Music Trades Music Week musical democracy musicians National Association National Bureau National Piano Manufacturers NPMA percent phonograph pianist Piano and Organ Piano Company piano makers Piano Manufacturers Association piano trade Pianola player piano Player Piano Treasury popular president production public schools radio ragtime reproducing piano retail Roehl Scott Joplin sell social society Steinway & Sons stencil tion trademark Tremaine U.S. Congress upright value of music Victorian W. W. Kimball Wurlitzer York