淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 23 筆
第 110 頁
... described as a coherent , homogeneous and self - conscious group of filmmakers initiating and developing an aesthetic revolution to mod- ernize Chinese film language . Such framing creates the myth that cele- brates its ontological ...
... described as a coherent , homogeneous and self - conscious group of filmmakers initiating and developing an aesthetic revolution to mod- ernize Chinese film language . Such framing creates the myth that cele- brates its ontological ...
第 40 頁
... described women reading , discussing , and commenting on the novel . Some of the female characters from the sequels also play games based on characters from Honglou meng or perform songs about them . For instance , Chapter 27 of Yinzhan ...
... described women reading , discussing , and commenting on the novel . Some of the female characters from the sequels also play games based on characters from Honglou meng or perform songs about them . For instance , Chapter 27 of Yinzhan ...
第 56 頁
... described as very fond of Daiyu . Daiyu and Xiren are also close . In chapters 25 , 29 , and 34 of the novel , Wang Xifeng repeatedly but good - naturedly jokes about the match between Baoyu and Daiyu . She seems to genuinely believe ...
... described as very fond of Daiyu . Daiyu and Xiren are also close . In chapters 25 , 29 , and 34 of the novel , Wang Xifeng repeatedly but good - naturedly jokes about the match between Baoyu and Daiyu . She seems to genuinely believe ...
內容
A Quarterly of Comparative Studies | 1 |
SPRINGSUMMER 2004 NOS | 3 |
Literary Study as Glocalization J Hillis Miller | 9 |
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aesthetic American Anatomy of Melancholy animals become beginning Black body called chapter characters Chen China Chinese concept contemporary context critics cultural death desire discourse discussion dream earth ecological environment environmental justice example experience expression fact feels female feminist fiction force gender global Honglou meng human idea identity Imperial important individual interpretation intertextuality issues kiss knowledge land language Late literary literature living look male meaning melancholy moon mother narrative nature novel original particular perhaps poem poetic poetry poets political possible practice present problem production question readers reading refers relation relationship sense sexual Shu Ting social space species story suggests theory things traditional translation turn understanding University voice Wang West Western wild woman women writing York