淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 13 筆
第 110 頁
... filmmakers initiating and developing an aesthetic revolution to mod- ernize Chinese film language . Such framing creates the myth that cele- brates its ontological autonomy and canonical status on two levels . On the level of form , the ...
... filmmakers initiating and developing an aesthetic revolution to mod- ernize Chinese film language . Such framing creates the myth that cele- brates its ontological autonomy and canonical status on two levels . On the level of form , the ...
第 11 頁
... filmmaker to represent the process of filmmaking is a deliberate one because Tsai feels that , as a Hong Kong woman , Hui like himself is also an outsider to Taipei ( Rayns 16 ) . Yet the gender aspect of this choice shows a woman's ...
... filmmaker to represent the process of filmmaking is a deliberate one because Tsai feels that , as a Hong Kong woman , Hui like himself is also an outsider to Taipei ( Rayns 16 ) . Yet the gender aspect of this choice shows a woman's ...
第 20 頁
... filmmaking practice is the syntax that speaks the female body differently . I would argue that it is also important to understand the syntax of the female body constructed by male filmmakers like Tsai who do not put women on the screen ...
... filmmaking practice is the syntax that speaks the female body differently . I would argue that it is also important to understand the syntax of the female body constructed by male filmmakers like Tsai who do not put women on the screen ...
內容
A Quarterly of Comparative Studies | 1 |
SPRINGSUMMER 2004 NOS | 3 |
Literary Study as Glocalization J Hillis Miller | 9 |
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