淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 37 頁
... motifs from the The Destiny of the Next Life . The motif of the self - portrait repeats an act of Meng Lijun before she disguises herself as a man and leaves home , and the suicide is borrowed from the story of Su Yingxue , another ...
... motifs from the The Destiny of the Next Life . The motif of the self - portrait repeats an act of Meng Lijun before she disguises herself as a man and leaves home , and the suicide is borrowed from the story of Su Yingxue , another ...
第 38 頁
... motif borrowed from the famous seventeenth - century play Mudan ting ( The Peony Pavilion ) by Tang Xianzu . While the self - portrait for Tang's heroine Du Liniang has the additional meaning of preserving beauty before dying , in both ...
... motif borrowed from the famous seventeenth - century play Mudan ting ( The Peony Pavilion ) by Tang Xianzu . While the self - portrait for Tang's heroine Du Liniang has the additional meaning of preserving beauty before dying , in both ...
第 42 頁
... reflected in these two narratives ' numerous motif appropriations and plot borrowings from works such as The Later Dream of the Red Chamber , A Sequel to Dream of the Red Chamber ( by 42 Tamkang Review , Vol . XXXIV , No. 2.
... reflected in these two narratives ' numerous motif appropriations and plot borrowings from works such as The Later Dream of the Red Chamber , A Sequel to Dream of the Red Chamber ( by 42 Tamkang Review , Vol . XXXIV , No. 2.
內容
A Quarterly of Comparative Studies | 1 |
SPRINGSUMMER 2004 NOS | 3 |
Literary Study as Glocalization J Hillis Miller | 9 |
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