淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 14 筆
第 17 頁
... narrator or even by Isabel or by some other character . It is not an accident or an oversight that the narrator ( or James himself ) does not tell the reader , elides essential information , or keeps the secret . He cannot in principle ...
... narrator or even by Isabel or by some other character . It is not an accident or an oversight that the narrator ( or James himself ) does not tell the reader , elides essential information , or keeps the secret . He cannot in principle ...
第 26 頁
... narrator , using various forms of hyperbole and the " gro- tesque . " Gao Xingjian offers a slow and subdued narration , in which the characters " I ” and “ you ” seem close to the personality of the writer . Mo Yan is joking ...
... narrator , using various forms of hyperbole and the " gro- tesque . " Gao Xingjian offers a slow and subdued narration , in which the characters " I ” and “ you ” seem close to the personality of the writer . Mo Yan is joking ...
第 28 頁
... narrator . The story is utterly bizarre and full of impossibilities . It is motivated by " paranoia " and is situated in a country which resembles a " labyrinth " -words which , as semantic signposts of postmodernism , occur in the text ...
... narrator . The story is utterly bizarre and full of impossibilities . It is motivated by " paranoia " and is situated in a country which resembles a " labyrinth " -words which , as semantic signposts of postmodernism , occur in the text ...
內容
A Quarterly of Comparative Studies | 1 |
SPRINGSUMMER 2004 NOS | 3 |
Literary Study as Glocalization J Hillis Miller | 9 |
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