淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 37 筆
第 59 頁
... past , the " aesthetic past is altered by the present as much as the present is directed by the past . " Following this line of thinking , Yinzhan naxi's works , although written before the critical discourses of Wang Guowei and Lu Xun ...
... past , the " aesthetic past is altered by the present as much as the present is directed by the past . " Following this line of thinking , Yinzhan naxi's works , although written before the critical discourses of Wang Guowei and Lu Xun ...
第 131 頁
... past with its intrinsically conservative cultural and social values . Cognizant as she must be of the prospect of ideological censure from an establishment that has proved itself all too efficient at making negative examples of its ...
... past with its intrinsically conservative cultural and social values . Cognizant as she must be of the prospect of ideological censure from an establishment that has proved itself all too efficient at making negative examples of its ...
第 134 頁
... past , is also clear in Thoreau's description of the writer " whose words were so true and fresh and natural that they would appear to expand like the buds at the approach of spring , though they lay half smothered between two musty ...
... past , is also clear in Thoreau's description of the writer " whose words were so true and fresh and natural that they would appear to expand like the buds at the approach of spring , though they lay half smothered between two musty ...
內容
A Quarterly of Comparative Studies | 1 |
SPRINGSUMMER 2004 NOS | 3 |
Literary Study as Glocalization J Hillis Miller | 9 |
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aesthetic American Anatomy of Melancholy animals become beginning Black body called chapter characters Chen China Chinese concept contemporary context critics cultural death desire discourse discussion dream earth ecological environment environmental justice example experience expression fact feels female feminist fiction force gender global Honglou meng human idea identity Imperial important individual interpretation intertextuality issues kiss knowledge land language Late literary literature living look male meaning melancholy moon mother narrative nature novel original particular perhaps poem poetic poetry poets political possible practice present problem production question readers reading refers relation relationship sense sexual Shu Ting social space species story suggests theory things traditional translation turn understanding University voice Wang West Western wild woman women writing York