淡江評論, 第 34 卷Graduate School of Western Languages and Literature, Tamkang University, 2003 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 35 筆
第 74 頁
... protagonist who first experiences the metamorphosis into a mir- ror image , and then feels like she is a book without beginning or end . Considering that the mirror image is not the perceiver per se , we dis- cern the viewer's desperate ...
... protagonist who first experiences the metamorphosis into a mir- ror image , and then feels like she is a book without beginning or end . Considering that the mirror image is not the perceiver per se , we dis- cern the viewer's desperate ...
第 123 頁
... protagonists . The first , " The Time Is Not Yet Ripe , " might be said to resemble " Emerald , " if the latter were focused on Linger's unimaginative ... protagonist , illustrates better than any of the stories Love and the Collective 123.
... protagonists . The first , " The Time Is Not Yet Ripe , " might be said to resemble " Emerald , " if the latter were focused on Linger's unimaginative ... protagonist , illustrates better than any of the stories Love and the Collective 123.
第 18 頁
... protagonist coming to the conclusion that no morality exists any longer in a world where “ God had died and taken evil with Him " ( 383 ) . In the end Wyatt moves to New York and resumes his vocation as an artist . Unlike other tragic ...
... protagonist coming to the conclusion that no morality exists any longer in a world where “ God had died and taken evil with Him " ( 383 ) . In the end Wyatt moves to New York and resumes his vocation as an artist . Unlike other tragic ...
內容
A Quarterly of Comparative Studies | 1 |
SPRINGSUMMER 2004 NOS | 3 |
Literary Study as Glocalization J Hillis Miller | 9 |
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