淡江評論, 第 35 卷,第 1-2 期Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2004 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 12 筆
第 32 頁
... films made in the 1920s and 1930s , and the most recognisable Fu Manchu role was tellingly performed by Boris Karloff , the renowned horror film actor . There were other images , most notably that of Charlie Chan , which were meant to ...
... films made in the 1920s and 1930s , and the most recognisable Fu Manchu role was tellingly performed by Boris Karloff , the renowned horror film actor . There were other images , most notably that of Charlie Chan , which were meant to ...
第 24 頁
... film career was deeply involved with all the parties : the Nationalist government , the leftist camp , and the Wang Jingwei entourage . Having crossed the boundaries of nations through his pursuit of art and diaspora in different ...
... film career was deeply involved with all the parties : the Nationalist government , the leftist camp , and the Wang Jingwei entourage . Having crossed the boundaries of nations through his pursuit of art and diaspora in different ...
第 30 頁
... film one is especially struck by that " other " Taiwanese identity issue , not the Taiwanese - Chinese but the Taiwanese - Japanese identity issue , in an early scene showing young Taiwanese women dressed in kimonos and speaking fluent ...
... film one is especially struck by that " other " Taiwanese identity issue , not the Taiwanese - Chinese but the Taiwanese - Japanese identity issue , in an early scene showing young Taiwanese women dressed in kimonos and speaking fluent ...
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American appear associated attempt Australian authors become Canada Canadian century characters China Chinese Chinese culture colonized Confucian construction contemporary context critics cultural describes desire developed discourse discussion early English example existence experience expression fact feeling force gender globalization homoerotic homosexual Hong Kong Huang human ideal identity immigrant imperial important individual interest issues Japanese junzi kind language late late Ming literary literature live look male masculinity means Ming moral mother multiculturalism narrative nature novel official original particular period play political position postcolonial present protagonist Qing question reading reference relation relationship role scholars sense sexual Shanghai shows social society space story symbolic Taiwan theory thinking traditional translation University West Western wife woman women writing young Yung Zhang zhangfu