淡江評論, 第 35 卷,第 1-2 期Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 2004 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 30 筆
第 154 頁
... voice of the Buddha , a comment upon the boy actor's singing voice . More importantly , Abao is more interesting than other actors because he has a personality , not because he is a commodity . ( c ) Abao certainly made an impression on ...
... voice of the Buddha , a comment upon the boy actor's singing voice . More importantly , Abao is more interesting than other actors because he has a personality , not because he is a commodity . ( c ) Abao certainly made an impression on ...
第 180 頁
... voice " of the protagonist . " This tendency of the elite narrative voice to be controlling or even condescending towards the unfortunates of the narrative is not limited to fictions about women . Lower - class characters may receive ...
... voice " of the protagonist . " This tendency of the elite narrative voice to be controlling or even condescending towards the unfortunates of the narrative is not limited to fictions about women . Lower - class characters may receive ...
第 94 頁
... voices that speak of what is " missing . " From a Marxist point of view , the complexity of the emergence of postcolonial cultural spaces in Hong Kong prior to the year 1997 can also be attributed to Hong Kong's peculiar position as a ...
... voices that speak of what is " missing . " From a Marxist point of view , the complexity of the emergence of postcolonial cultural spaces in Hong Kong prior to the year 1997 can also be attributed to Hong Kong's peculiar position as a ...
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