Performing Democracy: Bulgarian Music and Musicians in TransitionUniversity of Chicago Press, 2006年1月2日 - 519 頁 The fall of the Berlin Wall in 1989 signaled the onset of tumultuous political, economic, and social reforms throughout Eastern Europe. In Czechoslovakia, Poland, and the Soviet Union these changes were linked to the activities and philosophies of political figures such as Václav Havel, Lech Walesa, and Mikhail Gorbachev. In Bulgaria, however, these changes were first heralded and even facilitated by particular musicians and shifting musical styles. Based on fieldwork conducted between 1988 and 1996 with professional Bulgarian folk musicians, Donna A. Buchanan's PerformingDemocracy argues that the performances of traditional music groups may be interpreted not only as harbingers but as agents of Bulgaria's political transition. Many of the musicians in socialist Bulgaria's state folk ensembles served as official cultural emissaries for several decades. Through their reminiscences and repertoires, Buchanan reveals the evolution of Bulgarian musical life as it responded to and informed the political process. By modifying their art to accommodate changing political ideologies, these musicians literally played out regime change on the world's stages, performing their country's democratization musically at home and abroad. Performing Democracy and its accompanying CD-ROM, featuring traditional Bulgarian music, lyrics, notation, and photos, will fascinate any reader interested in the many ways art echoes and influences politics. |
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內容
Ethnography and Commensality under Socialism | 52 |
and Orchestras | 132 |
Politics Professionalism | 177 |
Marketing Bulgarian Identities | 225 |
Ethnography and Antistructure | 341 |
Glossary | 481 |
487 | |
511 | |
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accompaniment aesthetic amateur arrangements artistic associated Bai Stoyan Balkan Balkanton Baltakov bands became bitov boro Bulgar Bulgarian music choir composers concert cultural dance dancers dilbero Dilmano director Dragostinov Ensemble's ethnic ethnographic ethnopop festival folk music folklore gaida garian genre Georgi Gotse Delchev groups gudulka HMPI horo ibid instrumentalists instruments Iordanov Ivan kaval kavaldzhiya kolyano Koprivshtitsa Koutev Ensemble leva LMVB Macedonian melody musicians Muslim narodna muzika obrabotki orchestra orkestranti ornamentation Ottoman perestroika performance Pesni piece Pirin folk songs pitch played Plovdiv political Pomaks popular professional RADIO ENSEMBLE recording regional rehearsal repertory Rhodope Rodopa ruchenitsa semble singers singing Smolyan social socialist Sofia solo song's sound Stefan Dragostinov Strandzha style symphony tambura Thrace Thracian tion Todorov tour tradition Trakiya's Trio Tsenka tunes tupan Turkish Turks Union urban songs Vasilev Vasilka Velichkov village vocal vocalists voices wedding music West European women Zhivkov zurna