The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007年10月1日 - 228 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 5 筆結果,共 51 筆
第 1 頁
... American production . With a further three English - language films released , and more in production , her comment to the Chinese media appears to have been all but forgotten . ' In these new roles , playing strong and successful women ...
... American production . With a further three English - language films released , and more in production , her comment to the Chinese media appears to have been all but forgotten . ' In these new roles , playing strong and successful women ...
第 3 頁
... American or more Australian " . Susan Stewart also alludes to a distinction between primitivism and exoticism in terms of the way narrative constructs its objects through these two paradigms ; to primitivise is to ' miniaturise ...
... American or more Australian " . Susan Stewart also alludes to a distinction between primitivism and exoticism in terms of the way narrative constructs its objects through these two paradigms ; to primitivise is to ' miniaturise ...
第 16 頁
... America , Europe and Australia , Hong Kong has developed economically and culturally in very divergent ways to the mainland . But it is specifically the global popularity of Hong Kong's culture industries that characterises its ...
... America , Europe and Australia , Hong Kong has developed economically and culturally in very divergent ways to the mainland . But it is specifically the global popularity of Hong Kong's culture industries that characterises its ...
第 23 頁
... America and Asian Australia will be discussed , highlighting what is ' permitted ' into these categories and what is anxiously excluded . Because of the messy nature of the forms of interaction diaspora China has with other categories ...
... America and Asian Australia will be discussed , highlighting what is ' permitted ' into these categories and what is anxiously excluded . Because of the messy nature of the forms of interaction diaspora China has with other categories ...
第 30 頁
... American ' cop ' shows , Chinese take - away boxes represent the food cultures of the diasporas and is located within popular culture as a sign of cosmopolitan consumption . The opening of a text by Michel Foucault provides a starting ...
... American ' cop ' shows , Chinese take - away boxes represent the food cultures of the diasporas and is located within popular culture as a sign of cosmopolitan consumption . The opening of a text by Michel Foucault provides a starting ...
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