The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007年10月1日 - 228 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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... Irma Vep ' . An earlier draft of sections of Chapter 1 appeared as ' Folding Chinese Boxes : Asian Exoticism in Australia ' , in Helen Gilbert , Tseen Khoo and Jacqueline Lo , eds . , Diaspora : Negotiating Asian Australia ( St. Lucia ...
... Irma Vep ' . An earlier draft of sections of Chapter 1 appeared as ' Folding Chinese Boxes : Asian Exoticism in Australia ' , in Helen Gilbert , Tseen Khoo and Jacqueline Lo , eds . , Diaspora : Negotiating Asian Australia ( St. Lucia ...
第 1 頁
... Irma Vep , her first role outside Asia , the question " Why a Chinese actress ? " asked by everyone on the set in Paris , was echoed in the minds of critics , reviewers and audiences around the world . In the field of literature , Amy ...
... Irma Vep , her first role outside Asia , the question " Why a Chinese actress ? " asked by everyone on the set in Paris , was echoed in the minds of critics , reviewers and audiences around the world . In the field of literature , Amy ...
第 36 頁
... Irma Vep , and Peter Greenaway's The Pillow Book . All three films are , either implicitly or explicitly , about filmmaking and are thus preoccupied with concepts of framing and directorial guidance . What is interesting about Poon's ...
... Irma Vep , and Peter Greenaway's The Pillow Book . All three films are , either implicitly or explicitly , about filmmaking and are thus preoccupied with concepts of framing and directorial guidance . What is interesting about Poon's ...
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