The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007年10月1日 - 228 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 5 筆結果,共 60 筆
第 4 頁
... becomes displaced by the visual sign in a culture now structured by a new paradigm of visuality . There is , however , more than a simple intersemiotic shift from the sign of writing to the visual sign . The displacement of the ...
... becomes displaced by the visual sign in a culture now structured by a new paradigm of visuality . There is , however , more than a simple intersemiotic shift from the sign of writing to the visual sign . The displacement of the ...
第 6 頁
... becomes fascinated , and is then seduced , by a woman from the culture he is visiting , but then returns home without further thought or questioning of his own cultural values or placement . The story of Madame Butterfly , popularised ...
... becomes fascinated , and is then seduced , by a woman from the culture he is visiting , but then returns home without further thought or questioning of his own cultural values or placement . The story of Madame Butterfly , popularised ...
第 8 頁
... becomes figured in these new accounts . There have been a number of restatements of the concept of Orientalism by various postcolonial scholars , including Edward Said himself , in order to account for its shifting discursive formations ...
... becomes figured in these new accounts . There have been a number of restatements of the concept of Orientalism by various postcolonial scholars , including Edward Said himself , in order to account for its shifting discursive formations ...
第 10 頁
... become ex - centrically disseminated , in a contemporary and globally popular form . In Reading the Vampire , Ken Gelder uses the term the " global exotic " to characterise the vampire as a mobile figure , one who is able to cross ...
... become ex - centrically disseminated , in a contemporary and globally popular form . In Reading the Vampire , Ken Gelder uses the term the " global exotic " to characterise the vampire as a mobile figure , one who is able to cross ...
第 11 頁
... become consumable or exchangeable . Huggan argues that there is a trading of difference within postmodernism where even the language and rhetoric of postcolonial resistance become absorbed and are created as consumer products as part of ...
... become consumable or exchangeable . Huggan argues that there is a trading of difference within postmodernism where even the language and rhetoric of postcolonial resistance become absorbed and are created as consumer products as part of ...
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action star actresses Ang Lee argues Asia Asian American Asian Australian Asian exotic Australian Fiancé autobiography body centre chapter characterises Chinese Box Chinese diaspora Chinese exotic Chinese female Chow cinema colonial concept constructed context cosmopolitanism cross cross-cultural spectatorship Crouching Tiger Culture China Derrida diaspora China diasporic Chinese femininity diasporic Chinese modernities discourse Disney dominant economic ethnic ex-centric example exoticism fantasy fashion fiction figure film fold Geisha gender global Gong Li heterosexual Hidden Dragon Hong Kong identity images Irma Vep literature London Maggie Cheung Maggie's mainland Michelle Yeoh movement Mulan multiculturalism narrative non-sense novel Orientalism ornament particular politics popular culture postcolonial production reading region relation relationship René representations of Chinese represented role screen sense sexuality Singapore space specific story suggests Tasker texts Tomorrow Never Tomorrow Never Dies translation trope University Press Vampires vertigo visibility Wang Wayne Wang West Western whereby women wuxia