The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007年10月1日 - 228 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
搜尋書籍內容
第 1 到 5 筆結果,共 40 筆
第 4 頁
... created or subsumed , and thus how they can be read differently over time . In distinguishing exoticism from primitivism in a Chinese context , it is necessary to reconsider Rey Chow's concept of ' primitive passions ' , which concerns ...
... created or subsumed , and thus how they can be read differently over time . In distinguishing exoticism from primitivism in a Chinese context , it is necessary to reconsider Rey Chow's concept of ' primitive passions ' , which concerns ...
第 7 頁
... created through the collapse of various nationalities in fin de siècle exoticist representations , I focus on the cultural representations emerging from diasporic Chinese modernities in the last fifteen to twenty years . In order to ...
... created through the collapse of various nationalities in fin de siècle exoticist representations , I focus on the cultural representations emerging from diasporic Chinese modernities in the last fifteen to twenty years . In order to ...
第 8 頁
... created one ' Orient ' as the other of the ' Occident ' . Different orientalist situations exist , illustrating that the historical development of Orientalism is not homogeneous or monolithic at all , but is marked by internal conflict ...
... created one ' Orient ' as the other of the ' Occident ' . Different orientalist situations exist , illustrating that the historical development of Orientalism is not homogeneous or monolithic at all , but is marked by internal conflict ...
第 11 頁
... created as consumer products as part of a global " alterity industry " ; that is , the post- colonial exotic concerns the global commodification of cultural difference . The mode of resistance that Huggan reads into these processes in ...
... created as consumer products as part of a global " alterity industry " ; that is , the post- colonial exotic concerns the global commodification of cultural difference . The mode of resistance that Huggan reads into these processes in ...
第 16 頁
... created through ethnicities that engage new experiences , as will be discussed in Chapter 1. Rather than conceiving of Chineseness as a race , and hence biologically fixed , I characterise the Chineseness of diaspora China as a ' new ...
... created through ethnicities that engage new experiences , as will be discussed in Chapter 1. Rather than conceiving of Chineseness as a race , and hence biologically fixed , I characterise the Chineseness of diaspora China as a ' new ...
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