The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007年10月1日 - 228 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
搜尋書籍內容
第 1 到 5 筆結果,共 71 筆
第 3 頁
... suggests that exoticism and primitivism are the two main metaphysical results of European ( Western ) hegemony.3 He argues , " colonialism's culture should not be seen . as a singular enduring discourse , but rather a series of projects ...
... suggests that exoticism and primitivism are the two main metaphysical results of European ( Western ) hegemony.3 He argues , " colonialism's culture should not be seen . as a singular enduring discourse , but rather a series of projects ...
第 4 頁
... suggests that there are differences in the ways certain subject positions are either created or subsumed , and thus how they can be read differently over time . In distinguishing exoticism from primitivism in a Chinese context , it is ...
... suggests that there are differences in the ways certain subject positions are either created or subsumed , and thus how they can be read differently over time . In distinguishing exoticism from primitivism in a Chinese context , it is ...
第 6 頁
... suggests : masculine romantic desire is often introduced as an oriental motif ... [ and ] such associations of Orientalism with romanticism are not coincidental , for the two situations of desire — the occidental fascination with the ...
... suggests : masculine romantic desire is often introduced as an oriental motif ... [ and ] such associations of Orientalism with romanticism are not coincidental , for the two situations of desire — the occidental fascination with the ...
第 8 頁
... suggest that " Orientalism in the West is not dead ; on the contrary ... classical Orientalism has now been transformed into a neo - Orientalism , where it is no longer a powerless , colonised Asia which is the subject of othering , but ...
... suggest that " Orientalism in the West is not dead ; on the contrary ... classical Orientalism has now been transformed into a neo - Orientalism , where it is no longer a powerless , colonised Asia which is the subject of othering , but ...
第 9 頁
... suggesting the fluid movement of different social and cultural capital across national borders . Appadurai refers to five dimensions of global cultural flows - those of people ( ethnoscapes ) , money ( finanscapes ) , media ...
... suggesting the fluid movement of different social and cultural capital across national borders . Appadurai refers to five dimensions of global cultural flows - those of people ( ethnoscapes ) , money ( finanscapes ) , media ...
其他版本 - 查看全部
常見字詞
action star actresses Ang Lee argues Asia Asian American Asian Australian Asian exotic Australian Fiancé autobiography body centre chapter characterises Chinese Box Chinese diaspora Chinese exotic Chinese female Chow cinema colonial concept constructed context cosmopolitanism cross cross-cultural spectatorship Crouching Tiger Culture China Derrida diaspora China diasporic Chinese femininity diasporic Chinese modernities discourse Disney dominant economic ethnic ex-centric example exoticism fantasy fashion fiction figure film fold Geisha gender global Gong Li heterosexual Hidden Dragon Hong Kong identity images Irma Vep literature London Maggie Cheung Maggie's mainland Michelle Yeoh movement Mulan multiculturalism narrative non-sense novel Orientalism ornament particular politics popular culture postcolonial production reading region relation relationship René representations of Chinese represented role screen sense sexuality Singapore space specific story suggests Tasker texts Tomorrow Never Tomorrow Never Dies translation trope University Press Vampires vertigo visibility Wang Wayne Wang West Western whereby women wuxia