淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 21 筆
第 49 頁
Writing and Rewriting in the Chinese Long Vernacular Hsiao - shuo Kuei - fen Chiu ABSTRACT The Chinese long vernacular hsiao - shuo ( chang - hui hsiao - shuo has often been called the Chinese novel and regarded as the Chinese literary ...
Writing and Rewriting in the Chinese Long Vernacular Hsiao - shuo Kuei - fen Chiu ABSTRACT The Chinese long vernacular hsiao - shuo ( chang - hui hsiao - shuo has often been called the Chinese novel and regarded as the Chinese literary ...
第 51 頁
it into composition . The hsiao - shuo writer , therefore , is more like an editor than an author if , following Edward Said , we reserve the term " author " for " a person who originates or gives existence to something ... HSIAO - SHUO 51.
it into composition . The hsiao - shuo writer , therefore , is more like an editor than an author if , following Edward Said , we reserve the term " author " for " a person who originates or gives existence to something ... HSIAO - SHUO 51.
第 58 頁
... hsiao - shuo such as Outlaws of the Marsh always entails a lot of sequels which can be read as a continuation of the discourse of the popular hsiao - shuo . Thus , in its rewriting of extant discourses , the use of cliches , method of ...
... hsiao - shuo such as Outlaws of the Marsh always entails a lot of sequels which can be read as a continuation of the discourse of the popular hsiao - shuo . Thus , in its rewriting of extant discourses , the use of cliches , method of ...
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