淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 19 筆
第 87 頁
... objective correlative , " and led to our neglect of the second part . The passage in question reads : The only way of expressing emotion in the form of art is by finding an objective correlative ; in other words , a set of objects , a ...
... objective correlative , " and led to our neglect of the second part . The passage in question reads : The only way of expressing emotion in the form of art is by finding an objective correlative ; in other words , a set of objects , a ...
第 130 頁
... objective facade of the narrative , the whole . piece is apparently naive because of its monotonous , mechanical discursive system . However , if one considers its prosaic language as only a manifesta- tion of its immaturity for the ...
... objective facade of the narrative , the whole . piece is apparently naive because of its monotonous , mechanical discursive system . However , if one considers its prosaic language as only a manifesta- tion of its immaturity for the ...
第 131 頁
... objective worlds . It is truly idealistic and romantic , in that the subject in these works is sublimated as the real historical power rather than being frustrated by history . Adorno alleges , " Traumatized by art , the subject is able ...
... objective worlds . It is truly idealistic and romantic , in that the subject in these works is sublimated as the real historical power rather than being frustrated by history . Adorno alleges , " Traumatized by art , the subject is able ...
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