淡江評論, 第 21 卷Graduate School of Western Languages and Literature, Tamkang University, 1990 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 59 筆
第 396 頁
... play as performed will never be the same again . For a film is not strictly a performance of the play : in its very permanence its being exactly the same every time it is seen , it establishes a theatrical text for the play , much as an ...
... play as performed will never be the same again . For a film is not strictly a performance of the play : in its very permanence its being exactly the same every time it is seen , it establishes a theatrical text for the play , much as an ...
第 399 頁
... play may differ radically from production to production . Furthermore , the play- wright's notes and remarks ( or so - called stage directions ) are eliminated in the theatre , the resulting gaps in the unity of the dramatic text being ...
... play may differ radically from production to production . Furthermore , the play- wright's notes and remarks ( or so - called stage directions ) are eliminated in the theatre , the resulting gaps in the unity of the dramatic text being ...
第 402 頁
... play is not necessarily different from an " original " play - but dramatic adaptations are invariably validated by the very nature of the performing of dramatic art . As Cohn says : " the impetus to adaptations , as to reduction ...
... play is not necessarily different from an " original " play - but dramatic adaptations are invariably validated by the very nature of the performing of dramatic art . As Cohn says : " the impetus to adaptations , as to reduction ...
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