Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 3 筆結果,共 78 筆
... Hong Kong might be able to live happily together with its new mainland Chinese master . As Jeremy Tambling proposes , read as two interroga- tives - Happy ? Together ? —the film's title also constitutes “ an oxymoron , ” raising the ...
... Hong Kong's cityscape , I would argue , do not evoke a sense of nostalgia and longing for home ; rather , they serve to disorien- tate and defamiliarize Hong Kong and even , by their inversion , subvert ( as it is , from below ) Hong Kong ...
... Hong Kong's cultural identity : Examining cultural positioning in Fare- well My Concubine , King of Chess , Center Stage ) . In Zhang Jingyuan 1995 , 355-373 . Li , Cheuk - to . 1994. " The Return of the Father : Hong Kong New Wave and ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
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