Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 3 筆結果,共 22 筆
... Kwan's 1996 coming out was , unlike his earlier unequivocal statement , much more ambivalent in attitude , indirect in manner , and complex in meaning . This documentary is central to under- standing Kwan's filmmaking career both pre ...
... Kwan had insisted upon declaring his almost incestuous love for his father . In any case , in the absence of his father , Kwan's mother became the lone parent — and surrogate father — to whom Kwan could come out . The closing chapter ...
... Kwan is alluding to in his reference to his women's films , and it is also clear that his mother respects his choice , whatever that might have been . However , if Kwan's mother inadvertently turned her son gay by over- indulging in Yam ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示