Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 42 筆
... Kwan is the first prominent filmmaker in the Chinese - speak- ing world to have come out openly as gay . Though he was on record stating that " I became gay very early in life " in an English - language film journal as early as 1993 ( Kwan ...
... Kwan confesses to feeling more like a protected child than a surrogate father . This story of a family struggling to cope after a father's death seems familiar enough , yet it is precisely this unremarkable familiarity that underlines ...
... Kwan's choice of the word " charac- ter . " Nevertheless , it is clear what Kwan is alluding to in his reference to his women's films , and it is also clear that his mother respects his choice , whatever that might have been . However ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示