Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 3 筆結果,共 7 筆
... Nezha myth clearly has Oedipal under- tones , I agree with scholars who caution against the reading of the Nezha story ( Sangren 2000 , 189-196 ) or the sex scene between the father and son in The River ( Chow 2004 , 138 ) entirely in ...
... Nezha myth is on the chal- lenge to the patriarchy , not on intergenerational incest.30 What The River does have in common with the Oedipal story is that the " incest " happens when the parties involved are unaware of their blood ...
... Nezha 青少年哪吒 Qiu 囚 Qu Yuan Ren zai Niuyue / Sange nüren de gushi 在紐約/三個女人的故事 Renmin gongce RA rensheng ruji 人生如寄 Ruan Lingyu 阮玲玉 Ruhua 如花 San ju zhi lian 三橘之戀 sanchang liangduan Shenzhen 深圳 Sheshi lingdu ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
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6 個其他區段未顯示