Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 23 筆
... Po - wing is usually played out , and this home can also be seen as Fai's symbolic longing for his home in Hong Kong . The film sets up a corollary of contrasting values between Fai and Po- wing . Financially , Fai is more prudent and ...
... Po - wing gradually recovers , Fai's fear of losing con- trol over him also becomes increasingly palpable . On one occasion , Fai returns to an empty home and suspects that Po - wing has gone out cruis- ing . When Po - wing claims that ...
... Po - wing , he " expresses discomfort and confusion about this [ public ] sexual world " ( Siegel 2001 , 286 ) . In an earlier scene , as Po - wing quizzes Fai on his rela- tionship with Chang and teasingly asks if Fai has slept with ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示