Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 8 筆
... Tong's and Jie's desire for him is displaced , if not misplaced . Tong's desire for Wai is displaced through denial , whereas Jie uses Moon as a substitute for Wai . While the banality of both heterosexual marriage and heterosexual man ...
... Tong waiting for a considerably long time.28 When Jie finally returns to the car and initiates a conversation , Tong coldly rebuffs him , " I have no interest in your story . " Jie's intrusion into Tong's relationship with Wai , his ...
... Tong is addressing Wai here , I have chosen to use " him " in the translation as this speech may be read more accurately as Tong's internal mono- logue to himself . On the use of ungendered pronouns and its politics , see Glover and ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
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6 個其他區段未顯示