Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 90 筆
... argues , largely an effect of the advent of Western sexological discourses . I would highlight the role of language in the shaping of this understanding as these discourses are , of course , medi- ated through translation , or what ...
... argues that we need to attend to the historical processes that , through discourse , position subjects and produce their experiences . It is not individuals who have experi- ence , but subjects who are constituted through experience ...
... argues that " it does make a difference who makes a film , who the authors are " ( 1991 , 185 ) . For Dyer , what is significant is " the authors ' material social position in relation to discourse , the access to discourses they have ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示