Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 10 筆
... diegesis ' setting as they are today . Noting that the emergence of sexual identity categories are seen " to inhere in the psyche rather than the body , " Silvio argues that " Dieyi is not gay " but rather that " his sexuality is a ...
... diegesis when Fai picks fights not only with Po - wing at home , but also with his colleagues at work during football games . While he earlier declined his colleagues ' invitation to play mahjong and retreated to the kitchen to study a ...
... diegetic music very sparingly , the diegetic sound captured in Tsai's films invariably carries a disproportionate weight.34 In Rebels , the prolonged ringing of the tele- phones accompanying Xiaokang's departure from the phone - in ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示