Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 60 筆
... discourse by offering representations of new values , institutions , and modes of behaviour for collective identification and internalized model- ling . Film discourse and social discourse intertwine as a struggle not only over how ...
... discourses on homosexuality in the nineteenth century , which " made possible a strong advance of social controls into this area of ' perversity , ” ” also “ made possible the formation of a ' reverse discourse ” ” that allowed ...
... discourse " in China , a problematic that is not only shared by the underground director " with gay men and the other Chinese social minorities he represents in his work , " but is also " generalized across Chinese society today ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示