Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
搜尋書籍內容
第 1 到 3 筆結果,共 30 筆
... global cultural economy , which " has to be understood as a complex , over- lapping , disjunctive order , " wherein global flows occur in and through the growing disjunctures between what Arjun Appadurai calls " ethno- scapes ...
... global in their interconnections .... The global conditions of postmodern culture make it possible for margins and interstices across the globe to become aware of each other " ( 1997 , 388 ) .10 Chanan's notion of " margins and inter ...
... global market ” ( 1997b , 132 ) , which are premised on the engender- ing conditions of this global cinematic public sphere . Having highlighted the deterritorialized and disjunctive cultural econ- omy that ushers in a global cinematic ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示