Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 3 筆結果,共 9 筆
... minority groups , as this in turn pro- duces the burden of representation . This burden of representation can be appreciated on several levels . First , as minority groups contest a history of negative , stereotypical representation of ...
... minority groups to believe that historical ( mis ) rep- resentation is a burden that can be discarded once progress has been made in self - representation . For minority groups , this narrative is invariably embedded in their struggle ...
... minorities , but also minorities can equally seek to represent mainstream culture . In addition , greater cooperation can be forged among minority groups so that they can speak up for one another . In this respect , self ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
著作權所有 | |
6 個其他區段未顯示