Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese CinemasUniversity of Hawaii Press, 2006年8月31日 - 247 頁 "Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book—one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision." —Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University |
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第 1 到 3 筆結果,共 47 筆
... play , as the Chinese original of the term , yigui , is also the translation for " closet . " It is difficult to ascertain if Tsai was aware of the metaphor of the closet vis - à - vis gay identity in early 1980s Taiwan , but the ...
... play , the protagonist returns to the room in an exuberant mood , as his play has just been successfully staged . He calls his overseas lover to share his joy , only to revert to tears of lamentation : " Why is it that nobody knows I ...
... play is based and the different incar- nations of the play over time , see S. L. Li ( 2003 , chapter 3 , especially pp . 72–73 ) . 8. Sifan is a kunqu play revived by Mei Lanfang ( Silvio 2002 , 189 ) . ( Kunqu is a spe- cific style of ...
內容
Screening Homosexuality | 19 |
Ang Lees The Wedding Banquet | 41 |
Chen Kaiges Farewell My Concubine | 69 |
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6 個其他區段未顯示