America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film RegistryBloomsbury Publishing USA, 2009年11月26日 - 848 頁 America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, The Jazz Singer, All Quiet on the Western Front, The Birth of a Nation, and Boyz n the Hood. Others are more obscure, such as Blacksmith Scene, The Blue Bird, The Docks of New York, Star Theatre, and A Bronx Morning. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them. |
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... story “Rip Van Winkle” while he was living in Birmingham, England; it was featured in The Sketch Book, first printed in England in 1820. Irving based his story on German folk tales, although folklorists have also found antecedents in ...
... story “Rip Van Winkle” while he was living in Birmingham, England; it was featured in The Sketch Book, first printed in England in 1820. Irving based his story on German folk tales, although folklorists have also found antecedents in ...
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... story” films like Pie, Tramp and the Bulldog (1901), where editing supplied the narrative. Porter also began ... story or pull back to show a wider view—is one of the fundamental differences between stage and screen. This conceptual leap ...
... story” films like Pie, Tramp and the Bulldog (1901), where editing supplied the narrative. Porter also began ... story or pull back to show a wider view—is one of the fundamental differences between stage and screen. This conceptual leap ...
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... stories shot in color and heavy with voiceover, we may find it hard at first to piece together a “narrative” from individual shots. But you can fashion a story out of the film, a fairly far-reaching and linear account of the aftermath ...
... stories shot in color and heavy with voiceover, we may find it hard at first to piece together a “narrative” from individual shots. But you can fashion a story out of the film, a fairly far-reaching and linear account of the aftermath ...
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... story editor, at Universal, where he also pitched his own ideas for films. One of them was a police story that hinged on a dictagraph, a recording device. After the success of The Lure, which was filmed by Alice Guy-Blaché in 1914 ...
... story editor, at Universal, where he also pitched his own ideas for films. One of them was a police story that hinged on a dictagraph, a recording device. After the success of The Lure, which was filmed by Alice Guy-Blaché in 1914 ...
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... story. After spending some $75,000, including commissioning a score by New York composer and conductor John J. Braham, Curtis opened the film in New York City and Seattle in December 1914. Despite excellent reviews, In the Land of the ...
... story. After spending some $75,000, including commissioning a score by New York composer and conductor John J. Braham, Curtis opened the film in New York City and Seattle in December 1914. Despite excellent reviews, In the Land of the ...
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