Hooked: Drug War Films in Britain, Canada, and the U.S.Routledge, 2010年9月13日 - 262 頁 Drug prohibition emerged at the same time as the discovery of film, and their histories intersect in interesting ways. This book examines the ideological assumptions embedded in the narrative and imagery of one hundred fictional drug films produced in Britain, Canada, and the U.S. from 1912 to 2006, including Broken Blossoms, Reefer Madness, The Trip, Superfly, Withnail and I, Traffik, Traffic, Layer Cake, Harold and Kumar Go to White Castle, Trailer Park Boys, and more. Boyd focuses on past and contemporary illegal drug discourse about users, traffickers, drug treatment, and the intersection of criminal justice with counterculture, alternative, and stoner flicks. She provides a socio-historical and cultural criminological perspective, and an analysis of race, class and gender representations in illegal drug films. This illuminating work will be an essential text for a wide range of students and scholars in the fields of criminology, sociology, media, gender and women’s studies, drug studies, and cultural studies. |
搜尋書籍內容
第 1 到 5 筆結果,共 8 筆
... Cleopatra Jones The French Connection New Jack City Maria Full of Grace CHAPTER 6 Reefer Madness Valley of the Dolls 36 41 46 49 56 67 70 76 95 101 121 124 130 139 147 150 x List ofFilm Stills Postcards from the Edge Blow Marihuana ...
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很抱歉,此頁的內容受到限制.
內容
Introduction | 1 |
1 Moral Regulation Film Censorship and Law | 10 |
The Early Film Years | 30 |
Counterculture AddictionasDisease and MandatoryTreatment Narratives | 63 |
Pleasure Harm Reduction Consumer Culture and Regulation | 93 |
A Nation Under Siege | 112 |
6 Vilified Women and Maternal Myths | 146 |