Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 45 筆
第 76 頁
... Heaven . " Ware translates the chih yen jih ch'u , hê i t'ien ni ,, as " I talk imprecisely every day to bring harmony with the horizon , " and Graham takes it as " spillover saying is new every day , smooth it out on the whetstone of ...
... Heaven . " Ware translates the chih yen jih ch'u , hê i t'ien ni ,, as " I talk imprecisely every day to bring harmony with the horizon , " and Graham takes it as " spillover saying is new every day , smooth it out on the whetstone of ...
第 86 頁
... heaven can . But the wind of heaven seems in a way to disappear into the wind of earth , which itself falls through into nothingness . We notice in the first place Tzu - ch'i's words : " Now I have lost myself . Do you understand that ...
... heaven can . But the wind of heaven seems in a way to disappear into the wind of earth , which itself falls through into nothingness . We notice in the first place Tzu - ch'i's words : " Now I have lost myself . Do you understand that ...
第 88 頁
... Heaven ? Watson comments that " Heaven is not something distinct from earth and man , but a name applied to the natural and spontaneous functioning of the two " ( p . 32 ) . In his analysis Izutsu seems essentially to agree with this ...
... Heaven ? Watson comments that " Heaven is not something distinct from earth and man , but a name applied to the natural and spontaneous functioning of the two " ( p . 32 ) . In his analysis Izutsu seems essentially to agree with this ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York