Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 44 筆
第 26 頁
... Wang , that they are folk and oral , compositionally speaking . " 21 How are we to explain the polarity between Chu and Wang ? One easy thesis could be made here : these poems must at one time possess a form , a simple set of working ...
... Wang , that they are folk and oral , compositionally speaking . " 21 How are we to explain the polarity between Chu and Wang ? One easy thesis could be made here : these poems must at one time possess a form , a simple set of working ...
第 107 頁
... Wang Wei , the subject of his article , in whose poetry Buddhism seems to me more of an influence . Furthermore , this Buddhistic attitude strives to be studiously neutral . Wang Wei does not privilege ego or things , for he would have ...
... Wang Wei , the subject of his article , in whose poetry Buddhism seems to me more of an influence . Furthermore , this Buddhistic attitude strives to be studiously neutral . Wang Wei does not privilege ego or things , for he would have ...
第 407 頁
... Wang Meng . Zhen's undertaking here might be considered by some critics as a case of arbitrary comparison . First of all , Zhen says that both writers genuinely reflect the reality of their own age and social context . This is indeed a ...
... Wang Meng . Zhen's undertaking here might be considered by some critics as a case of arbitrary comparison . First of all , Zhen says that both writers genuinely reflect the reality of their own age and social context . This is indeed a ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York