Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 41 筆
第 147 頁
... action casting aside all other lines of action ; [ their narratives ] lose their ligatures and become disjointed ( shih - chih t'ou - chieh ) with the defect that certain events are omitted . If , on the other hand , they alternate ...
... action casting aside all other lines of action ; [ their narratives ] lose their ligatures and become disjointed ( shih - chih t'ou - chieh ) with the defect that certain events are omitted . If , on the other hand , they alternate ...
第 148 頁
... action . Having enumerated these lines of action , Mao Tsung - kang goes on to explain their relationship within the text : All these segments ( tuan ) of text are interwoven and interposed ( lien - lo chiao - hu ) throughout the ...
... action . Having enumerated these lines of action , Mao Tsung - kang goes on to explain their relationship within the text : All these segments ( tuan ) of text are interwoven and interposed ( lien - lo chiao - hu ) throughout the ...
第 149 頁
... action , the words employed are few .... This type of narrative , wherein the main line of action is found within the narration of subsidiary lines of action , resembles a snake in the grass , now we see its head , and now its tail ...
... action , the words employed are few .... This type of narrative , wherein the main line of action is found within the narration of subsidiary lines of action , resembles a snake in the grass , now we see its head , and now its tail ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York