Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 59 筆
第 12 頁
... analysis , can further be developed . It might lead to results which would enable us to explain more adequately than we can do now the rise and diffusion of Symbolism . - None of the contributions has related Symbolism to developments ...
... analysis , can further be developed . It might lead to results which would enable us to explain more adequately than we can do now the rise and diffusion of Symbolism . - None of the contributions has related Symbolism to developments ...
第 148 頁
... analysis , does The Romance of the Three Kingdoms achieve such narrative unity ? In terms of the larger structural patterns , Mao Tsung - kang describes within the text of the novel six minor beginnings and six minor endings that is six ...
... analysis , does The Romance of the Three Kingdoms achieve such narrative unity ? In terms of the larger structural patterns , Mao Tsung - kang describes within the text of the novel six minor beginnings and six minor endings that is six ...
第 165 頁
... analysis of narrative functions , Greimas thinks that Propp's atomistic approach in categorizing different functions can be further arranged into pairs of binary oppositions , forming a coherent pattern of narrative grammar . Unlike ...
... analysis of narrative functions , Greimas thinks that Propp's atomistic approach in categorizing different functions can be further arranged into pairs of binary oppositions , forming a coherent pattern of narrative grammar . Unlike ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York