Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 34 筆
第 89 頁
... appears or manifests itself . Perhaps we have a similar kind of ambiguity with Chuang - tzu's void ( ) that grounds earth , his sunyata . ' 38 39 40 Izutsu claims that Chuang - tzu's " image of Chaos " is " ultimately pure and absolute ...
... appears or manifests itself . Perhaps we have a similar kind of ambiguity with Chuang - tzu's void ( ) that grounds earth , his sunyata . ' 38 39 40 Izutsu claims that Chuang - tzu's " image of Chaos " is " ultimately pure and absolute ...
第 152 頁
... appears the most orthodoxly Confucian in his attitudes to both life and literature . In many ways he stood at odds to the general trends of a developing tradition of fictional criticism . In his analysis of character for example an ...
... appears the most orthodoxly Confucian in his attitudes to both life and literature . In many ways he stood at odds to the general trends of a developing tradition of fictional criticism . In his analysis of character for example an ...
第 185 頁
... appears that tragedy could perhaps be averted . This is especially true in the case of Oedipus when it appears as if he has not killed his father ( thinking that his father was Polybus ) , thereby supplying an apparent precedent that ...
... appears that tragedy could perhaps be averted . This is especially true in the case of Oedipus when it appears as if he has not killed his father ( thinking that his father was Polybus ) , thereby supplying an apparent precedent that ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York