Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 33 筆
第 75 頁
... called the Reservoir of Heaven . Pour into it and it is never full , dip from it and it never runs dry , and yet it does not know where the supply comes from . This is called the Shaded Light . ' 19 ( Watson , p . 40 ) This reservoir is ...
... called the Reservoir of Heaven . Pour into it and it is never full , dip from it and it never runs dry , and yet it does not know where the supply comes from . This is called the Shaded Light . ' 19 ( Watson , p . 40 ) This reservoir is ...
第 311 頁
... called tsa - chüor yüan - ch'u . Each tsa - chü usually consists of four acts ; sometimes one additional short scene ( hsieh - tzu ) is added . The ch'ü composed in southern style is also called ch'uan- ch'i ; it refers to a corpus of ...
... called tsa - chüor yüan - ch'u . Each tsa - chü usually consists of four acts ; sometimes one additional short scene ( hsieh - tzu ) is added . The ch'ü composed in southern style is also called ch'uan- ch'i ; it refers to a corpus of ...
第 420 頁
... called the " hermeneutic circle . " It is claimed that to understand a novel requires knowledge of all the works of its author so that we can get a glimpse of the main trend of thought , for this facilitates more adequate comprehen ...
... called the " hermeneutic circle . " It is claimed that to understand a novel requires knowledge of all the works of its author so that we can get a glimpse of the main trend of thought , for this facilitates more adequate comprehen ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York