Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 61 筆
第 21 頁
... characters closely related to the poems in the Shih - ching , i.e. , the character for poetry , shih , and the character for the mode of expression called hsing . In the authoratitive etymological analysis by the late Professor Chen ...
... characters closely related to the poems in the Shih - ching , i.e. , the character for poetry , shih , and the character for the mode of expression called hsing . In the authoratitive etymological analysis by the late Professor Chen ...
第 151 頁
... characters about to meet are impatient to realize this meeting , fearing only that it cannot take place [ soon enough ] . How could [ their novels ] have the sort of twists and turns [ contained in this novel ] ? 50 To this end , Mao ...
... characters about to meet are impatient to realize this meeting , fearing only that it cannot take place [ soon enough ] . How could [ their novels ] have the sort of twists and turns [ contained in this novel ] ? 50 To this end , Mao ...
第 251 頁
... characters . Each full page of Text C contains 240 characters . Three hundred thirty pages were chosen and thus contributed approximately 80,000 characters . As the data is enormous and is to be normalized later for statistical ...
... characters . Each full page of Text C contains 240 characters . Three hundred thirty pages were chosen and thus contributed approximately 80,000 characters . As the data is enormous and is to be normalized later for statistical ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York