Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 26 筆
第 3 頁
communication ( 2 ) , problems of selection and evaluation ( 3 ) , and the dilemma of historicism and presentism ( 4 ) . These problems are to some extent related to the legacy of hermeneutics . I will finally present some suggestions ...
communication ( 2 ) , problems of selection and evaluation ( 3 ) , and the dilemma of historicism and presentism ( 4 ) . These problems are to some extent related to the legacy of hermeneutics . I will finally present some suggestions ...
第 10 頁
... communication . It is immediately relevant to contemporary literary production , as well as the didactics of ... communication and a factor in cultural history is completely ignored . Of course , I am not underestimating the difficulties ...
... communication . It is immediately relevant to contemporary literary production , as well as the didactics of ... communication and a factor in cultural history is completely ignored . Of course , I am not underestimating the difficulties ...
第 332 頁
... communication studies scholar needs to be concerned with them . There is even less to do for a literary historian ... communication will be able to illuminate the communication process from the addresser to the addressee via the text as ...
... communication studies scholar needs to be concerned with them . There is even less to do for a literary historian ... communication will be able to illuminate the communication process from the addresser to the addressee via the text as ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York