Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 39 筆
第 254 頁
... considered as having two nouns each , namely , shou , jiao , and shengri , li . 5. Agent nouns such as yao fande ( beggar ) and da shifande + ( a moaner in a funeral ) are not counted as nouns but the elements they contain are counted ...
... considered as having two nouns each , namely , shou , jiao , and shengri , li . 5. Agent nouns such as yao fande ( beggar ) and da shifande + ( a moaner in a funeral ) are not counted as nouns but the elements they contain are counted ...
第 255 頁
... considered in the corpus , as all verbs are excluded in this study while the noun forms are marked consistently as nouns throughout the whole classification in the three texts of The Dream . Thus the structure huan tian xi di de would ...
... considered in the corpus , as all verbs are excluded in this study while the noun forms are marked consistently as nouns throughout the whole classification in the three texts of The Dream . Thus the structure huan tian xi di de would ...
第 325 頁
... considered the " wine and bread " of comparative literature . This approach in European com- parative literature has ... considered to be independent of the author's intention . Hence , the biographical and historical approach was ...
... considered the " wine and bread " of comparative literature . This approach in European com- parative literature has ... considered to be independent of the author's intention . Hence , the biographical and historical approach was ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York