Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 57 筆
第 43 頁
... early people . On the contrary , large paragraphs of narrative procedures are often employed , for instance , in emergence songs . What is being done here is to affirm a unique aspect of this primitive imagination common to all peoples ...
... early people . On the contrary , large paragraphs of narrative procedures are often employed , for instance , in emergence songs . What is being done here is to affirm a unique aspect of this primitive imagination common to all peoples ...
第 233 頁
... early Chinese Taoism represents a spiritual vision of the original oneness of the self and the ultimate truth , or the Tao . It recognizes those intervening forces which corrupt that oneness , and calls upon the individual to neutralize ...
... early Chinese Taoism represents a spiritual vision of the original oneness of the self and the ultimate truth , or the Tao . It recognizes those intervening forces which corrupt that oneness , and calls upon the individual to neutralize ...
第 312 頁
... early decades of the thirteenth century , the northern chu corpus consisted of five hundred and sixteen ch'ü - p'ai or tunes . After revitalization of the southern ch'ü in the Ming times , the southern ch'ü - p'ai corpus was expanded in ...
... early decades of the thirteenth century , the northern chu corpus consisted of five hundred and sixteen ch'ü - p'ai or tunes . After revitalization of the southern ch'ü in the Ming times , the southern ch'ü - p'ai corpus was expanded in ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York