Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 33 筆
第 68 頁
... earth.3 . But Chuang - tzu's earth is a metaphor for body ( self ) and his " wind of earth " for " words " ; the earth's " blowing " is an act of self - expression and self - naming of the nameless and inexpressible thing - Origin ...
... earth.3 . But Chuang - tzu's earth is a metaphor for body ( self ) and his " wind of earth " for " words " ; the earth's " blowing " is an act of self - expression and self - naming of the nameless and inexpressible thing - Origin ...
第 87 頁
... earth , he may be pointed in the right direction . But he must hear this piping or saying ( or " playing " ) directly , he cannot simply " hear of " it , as in " hearing of " the sage's power ( in the tall tale ) or " hearing of the ...
... earth , he may be pointed in the right direction . But he must hear this piping or saying ( or " playing " ) directly , he cannot simply " hear of " it , as in " hearing of " the sage's power ( in the tall tale ) or " hearing of the ...
第 88 頁
... earth " speaks to itself . " The wind of earth speaks through the ten thousand hollows and they hear it , they answer back , each making its individual sound . The big image of earth in this myth is an image of saying - and - listening ...
... earth " speaks to itself . " The wind of earth speaks through the ten thousand hollows and they hear it , they answer back , each making its individual sound . The big image of earth in this myth is an image of saying - and - listening ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York