Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 40 筆
第 197 頁
... essay entitled " Alienation Effects in Chinese Acting " to clarify it . Judging by the tone and the content of the essay , Brecht's reaction to the new dramatic experience in Moscow revealed that he was so eager to find his own ideas ...
... essay entitled " Alienation Effects in Chinese Acting " to clarify it . Judging by the tone and the content of the essay , Brecht's reaction to the new dramatic experience in Moscow revealed that he was so eager to find his own ideas ...
第 392 頁
... essay on the written character was the apologia Pound wanted in print , but it was to find no receptivity until 1919 , and only then in the United States . In 1915 Pound complained to Felix Schelling : Fenollosa has left a most ...
... essay on the written character was the apologia Pound wanted in print , but it was to find no receptivity until 1919 , and only then in the United States . In 1915 Pound complained to Felix Schelling : Fenollosa has left a most ...
第 397 頁
... essay , " The Cany Wagons with Sails in Milton's Paradise Lost . " The essay describes how the Europeans of the seventeenth century admired the scientific and technical discoveries of China and how Milton adopted the Chinese product ...
... essay , " The Cany Wagons with Sails in Milton's Paradise Lost . " The essay describes how the Europeans of the seventeenth century admired the scientific and technical discoveries of China and how Milton adopted the Chinese product ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York