Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 72 筆
第 23 頁
... example , which no doubt retains the rhetorical devices of early rituals , somehow betrays a much stronger degree of objectivity , control and distance . The second example given above , with offers to dukes and former kings , is ...
... example , which no doubt retains the rhetorical devices of early rituals , somehow betrays a much stronger degree of objectivity , control and distance . The second example given above , with offers to dukes and former kings , is ...
第 34 頁
... example is much greater than that in the Semang song . In the latter , repetitions functioning as connectives are spontaneous and lack obvious signs of design . One line picks up either the beginning or the ending of the previous line ...
... example is much greater than that in the Semang song . In the latter , repetitions functioning as connectives are spontaneous and lack obvious signs of design . One line picks up either the beginning or the ending of the previous line ...
第 215 頁
... Example b ) is used to describe the physical strength of a man , and the tiger and chiao - lung are both symbols of some- thing evil and fierce that deserves to be destroyed by the Right . These two examples have been translated as ...
... Example b ) is used to describe the physical strength of a man , and the tiger and chiao - lung are both symbols of some- thing evil and fierce that deserves to be destroyed by the Right . These two examples have been translated as ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York