Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 40 筆
第 21 頁
... expression called hsing . In the authoratitive etymological analysis by the late Professor Chen Shih - hsiang , these characteristics announce themselves most clearly : the root meaning of the Chinese word for poetry , shih , derived ...
... expression called hsing . In the authoratitive etymological analysis by the late Professor Chen Shih - hsiang , these characteristics announce themselves most clearly : the root meaning of the Chinese word for poetry , shih , derived ...
第 68 頁
... expression and self - naming of the nameless and inexpressible thing - Origin . Thus , at least as mythical or archetypal images , earth ( as thing and origin of things ) and naming or saying ( as self - identity of things and origin ) ...
... expression and self - naming of the nameless and inexpressible thing - Origin . Thus , at least as mythical or archetypal images , earth ( as thing and origin of things ) and naming or saying ( as self - identity of things and origin ) ...
第 142 頁
... expression of an artistic faith . Not only was it now considered a valid medium for serious mimetic and moral meaning , but its extrinsic appearance had also to accord with certain expectations . • Chin Sheng - t'an's edition of The ...
... expression of an artistic faith . Not only was it now considered a valid medium for serious mimetic and moral meaning , but its extrinsic appearance had also to accord with certain expectations . • Chin Sheng - t'an's edition of The ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York