Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 67 筆
第 6 頁
... fact , with reception as well as certain aspects of production . The preference of literary historians for particular aspects of literary life is often polemic : that which has been neglected for some time is suddenly emphasized . Such ...
... fact , with reception as well as certain aspects of production . The preference of literary historians for particular aspects of literary life is often polemic : that which has been neglected for some time is suddenly emphasized . Such ...
第 8 頁
... facts and conceptualization , or the interrelationship between the observation of facts and the use of concepts in ... fact contradicts the claims of extreme historicism , and is another reason why historicism in its extreme form is ...
... facts and conceptualization , or the interrelationship between the observation of facts and the use of concepts in ... fact contradicts the claims of extreme historicism , and is another reason why historicism in its extreme form is ...
第 271 頁
... fact that the selection of particles in this study did not take into consideration the mood of the narrator and speaker in the novel probably would cause a slight fluctuation of the relative frequency in the particles , but the ...
... fact that the selection of particles in this study did not take into consideration the mood of the narrator and speaker in the novel probably would cause a slight fluctuation of the relative frequency in the particles , but the ...
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action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York