Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 50 筆
第 69 頁
ground , since both saying and ground seem so readily to hide themselves from view , to disappear . In trying to approach Chuang - tzu's " saying , " we must ever keep in mind Lao - tzu's warning that " Tao's movement is reversal ...
ground , since both saying and ground seem so readily to hide themselves from view , to disappear . In trying to approach Chuang - tzu's " saying , " we must ever keep in mind Lao - tzu's warning that " Tao's movement is reversal ...
第 70 頁
... ground " is compared , via the metaphor / analogy , with the usefulness of his words , his customary " way of saying . " The comparison is both subtle and pragma- tic : Chuang - tzu shows Hui - tzu the use of a sage's words by drawing ...
... ground " is compared , via the metaphor / analogy , with the usefulness of his words , his customary " way of saying . " The comparison is both subtle and pragma- tic : Chuang - tzu shows Hui - tzu the use of a sage's words by drawing ...
第 78 頁
... ground , ground so deep that the axes of logicians and reasonable ( or “ practical ” ) men cannot undercut it . The use of the tree's everydayness is the use of deep or disappearing ( " boundless , " " not - even - anything " ) ground ...
... ground , ground so deep that the axes of logicians and reasonable ( or “ practical ” ) men cannot undercut it . The use of the tree's everydayness is the use of deep or disappearing ( " boundless , " " not - even - anything " ) ground ...
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York