Tamkang Review, 第 16 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1985 A quarterly of comparative studies of Chinese and foreign literatures. |
搜尋書籍內容
第 1 到 3 筆結果,共 56 筆
第 25 頁
... hand , he holds the reed - organ With his right he summons me to make free with him . Oh , the joy ! My lord is carefree . In his left hand he holds the dancing plumes . With his right he summons me to sport with him . Oh , the joy ! 16 ...
... hand , he holds the reed - organ With his right he summons me to make free with him . Oh , the joy ! My lord is carefree . In his left hand he holds the dancing plumes . With his right he summons me to sport with him . Oh , the joy ! 16 ...
第 142 頁
... hand , he does not indulge his own critical prejudices at the expense of the text of the novel to the extent that Chin Sheng - t'an had earlier with his edition of The Water Margin , providing us also with a very clear statement of the ...
... hand , he does not indulge his own critical prejudices at the expense of the text of the novel to the extent that Chin Sheng - t'an had earlier with his edition of The Water Margin , providing us also with a very clear statement of the ...
第 237 頁
... hand in hand with " machine hearts " when people stress the external . Forgetting that all physical beings are ephemeral , 911 man is deluded into believing that material objects can KOSINSKI'S BEING THERE 237.
... hand in hand with " machine hearts " when people stress the external . Forgetting that all physical beings are ephemeral , 911 man is deluded into believing that material objects can KOSINSKI'S BEING THERE 237.
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常見字詞
action actually analysis appears association attempt become beginning called chapter character Chin China Chinese Chuang-tzu communication comparative literature concept considered critical cultural dance developed discussion early earth edition effect emptiness English essay example existence expression fact function give ground hand Heaven human idea important individual influence interest interpretation issue kind language later literary living Mao Tsung-kang meaning mind narrative nature novel object original passage perhaps person play poems poetic poetry positive present Press problem published question readers reading reality reception Reference result Review saying seems sense shih social songs story structure suggests Symbolism Tamkang theater theory things traditional translation Ts'ao understanding University Wang Western wind writing written York